Jem and the Holograms is a film about some girls in a band called Jem and the Holograms, but it is also about one of the girls - called Jem - who looks at some holograms, so you know, this thing's got some layers.
The plot is that a video of teenage girl in her pajamas is put on Youtube and it gets loads of hits "for some reason" (one of the movie's most unrealistic moments is when we get a glimpse of the comments section of the video only to see it isn't full of men asking to see the girl's toes), and instead of being offered a job at a fetish website or taken into protective care as would happen in any properly-functioning democracy - America, you are a circus - she gets a music deal instead, and while she's in the big city feeling bad about having a music deal she makes friends with a miniature BB8 invented by her dead dad and after she solves some National Treasure-style clues (if the plot of National Treasure was engineered around places that could be shot within walking distance of the movie studio) BB8 shows her some holograms (because the film is about JEM AND THE HOLOGRAMS - do you see?) and this makes her feel less sad about having a record deal, so she gives a lecture about not letting life experiences grind you down to a venue full of people at least twice her age and then plays one of those songs that isn't quite pop music and isn't quite rock music and then the film ends apart from a mid-credits sequence clearly shot much later after the makers realised that their preview material was - to put it mildly - not going down well with their intended audience and they needed to be able to say they'd actually included something that linked back to the trashy camp of the source material, so in what must surely be the dictionary definition of "too little too late", they go to the source material only after the film is over and even then only because they have been forced to do so.
I usually like bad films, and to be fair to it, this is a well-made film with many competently-realised individual components such as make up, acting, and editing - but a shiny turd is still a turd, and I really didn't enjoy this very much. What stuck with me was the concert at the end where Jem unloads about her white girl problems on a bunch of strangers, as all I could think was that those people had come to see something camp and silly and fun and be distracted for maybe an hour or so and they have to sit through this crap - no, I'm not going to say this is a paradigm for the film itself, what gets me is: what did those people think at that point? They weren't in on the backstage dramas of the film's main plot, so what did that speech mean to them, exactly? Statistically speaking, a lot of the women - and some of the men - in that room had been sexually assaulted in the past, possibly by family members, and they came to see a Youtube-famous girl do some pop music so they could get out of their heads for a while but instead of that they get "life experiences aren't so bad, really, you, like, can't complain and stuff?" Anyway, the mid-credits sequence would objectively be someone in that crowd rushing the stage with a knife is what I took away from this, and for a film based on a cartoon, these are not the ideal post-movie thoughts that should go through your audience members' minds.
Anyway, the acting is good apart from Juliette Lewis - although I hasten to add that I am not actually criticising her, I just have literally no idea what she is doing when she's onscreen - there's a nice line of editing where they splice Youtube videos throughout the film without also doing that thing they have now where they overload the screen with information and text because internet or pause buttons or whatever, the music is good, and the whole thing looks nice, it's just that the actual script is a hot mess of stuff that really needed focus and to be one thing or the other. In closing, they may have made an awful film this time out, but I would be really interested in seeing this production crew would come up with if they one day decided to make a Jem and the Holograms movie.
Showing posts with label hot milf action. Show all posts
Showing posts with label hot milf action. Show all posts
Wednesday, 24 February 2016
Tuesday, 14 October 2014
I'm done with American chicks, man, they're all boring and they've all told each other about me online
Thank God that writing is such a lazy and unimaginative profession - it means I don't even have to write individual reviews for shows and movies anymore, I just have to write one review and then group the relevant shows together with it.
For instance: "I think it's awesome that the lead character is an asshole because it makes you want to emotionally invest in their predicament and root for their success."
See? Now I don't have to write individual reviews for shows like Selfie, Scorpion and Blackish, although if I was a professional type writer-ing person of things, I would probably have to pad the different reviews for each with relevant specifics even though I was essentially saying the exact same thing about them overall, which doesn't seem at all fair when people specifically get into writing to avoid work, but I'd likely mention the "know your place" message of Blackish that is totally not racism because a black guy is doing it, and we know he's only a total eedjit so it's even more okay even if the keen observer will note that the actual notions of racial segregation that he espouses are not ridiculed but taken as a given, it's still okay because it's a black guy doing it, and if you try to point it out that actually makes you the racist, or possibly - even worse - a Social Justice Warrior who values fairness and equality, and no-one wants to be one of those.
With Selfie, I would probably point out that it is yet another example of a female-led tv show that doesn't seem to like women very much even while profiting from displaying them prominently as sexual objects, but hey, Bitten is getting a second season so what the Hell. Do your thing, Selfie, just stay the fuck away from my tv.
Scorpion is basically Mind Games, only dumber. Well done Hollywood.
Personally, I expected something a bit more intelligent from a show produced by Alex Kurtzman and Roberto Orci etc,etc, but it's the usual nerds-act-like-jocks to solve problems involving driving cars very fast and/or defusing bombs bullshit, and I imagine if you are 12 this show is pretty great, but there are far too many shows right now that pursue an aggressive anti-intellectual agenda while using big words to disguise this agenda, and I'm getting along just fine with Hawaii Five-0 so I'm not sure how many other dumb-as-fuck things I need going on at the same time on my tv.
For instance: "I think it's awesome that the lead character is an asshole because it makes you want to emotionally invest in their predicament and root for their success."
See? Now I don't have to write individual reviews for shows like Selfie, Scorpion and Blackish, although if I was a professional type writer-ing person of things, I would probably have to pad the different reviews for each with relevant specifics even though I was essentially saying the exact same thing about them overall, which doesn't seem at all fair when people specifically get into writing to avoid work, but I'd likely mention the "know your place" message of Blackish that is totally not racism because a black guy is doing it, and we know he's only a total eedjit so it's even more okay even if the keen observer will note that the actual notions of racial segregation that he espouses are not ridiculed but taken as a given, it's still okay because it's a black guy doing it, and if you try to point it out that actually makes you the racist, or possibly - even worse - a Social Justice Warrior who values fairness and equality, and no-one wants to be one of those.
With Selfie, I would probably point out that it is yet another example of a female-led tv show that doesn't seem to like women very much even while profiting from displaying them prominently as sexual objects, but hey, Bitten is getting a second season so what the Hell. Do your thing, Selfie, just stay the fuck away from my tv.
Scorpion is basically Mind Games, only dumber. Well done Hollywood.
Personally, I expected something a bit more intelligent from a show produced by Alex Kurtzman and Roberto Orci etc,etc, but it's the usual nerds-act-like-jocks to solve problems involving driving cars very fast and/or defusing bombs bullshit, and I imagine if you are 12 this show is pretty great, but there are far too many shows right now that pursue an aggressive anti-intellectual agenda while using big words to disguise this agenda, and I'm getting along just fine with Hawaii Five-0 so I'm not sure how many other dumb-as-fuck things I need going on at the same time on my tv.
Friday, 10 October 2014
Curiosity is my sweet tooth. Knowledge is my candy.
My rewatch of Star Trek: Voyager rattled along nicely, though it became apparent that the problems of the show are not something we can retroactively lay at the feet of certain producers just because they went on to make Star Trek: Enterprise, but because there is clearly a struggle between two different Trek universes going on behind the scenes and it was clear that the producer who eventually got kicked off the show they had created (Jeri Taylor) was the one pushing for expanding Trek beyond the rut it had been dug into with later TNG seasons, with episodes like The Thaw and Mortal Coil attempting new approaches to stale material in a way that would later become the norm for sci-fi in shows like the remade Battlestar Galactica, while Coda (written by Taylor) even goes so far outside the Trek wheelhouse as to establish that Captain Janeway's unseen arch-nemesis is the actual effing Grim Reaper, who follows her around eating the souls of those who die in her wake and who is 100 percent for-reals-canon waiting for her like a slavering wolf at the end of her days.
There was hope that maybe I'd misremembered a lot of the show's problems or at least exaggerated them because it wasn't Shakespeare, but nope - what potential there was - and there's a lot of it in the beginning - is not so much eroded over time as it is hammered from very early in proceedings into a more banal shape than it should be, such as the showdown between a 16 wheel truck and a spaceship piloted by a time-traveling archeologist - who's just escaped a compound of gun-toting survivalists under armed siege by the FBI - that involves a laser battle that ends with people jumping away from explosions and this sequence of events is somehow one of the most boring and unexciting things you will ever lay eyes upon. You can still see the cracks where brilliance tries and fails to shine through the brick wall of middle-of-the-road mediocrity that defined the show - Nemesis, Living Witness - but by and large the struggle to make this a classic-style Trek show about people in extraordinary circumstances rising to present the best in themselves rather than the worst is instead about a bunch of unexceptionally exceptional individuals - all equally flawless and without character - encountering minor inconveniences on their drive home.
And then Seven of Nine's big stupid boobs arrive and it somehow manages to go even more to shit.
(TBC)
There was hope that maybe I'd misremembered a lot of the show's problems or at least exaggerated them because it wasn't Shakespeare, but nope - what potential there was - and there's a lot of it in the beginning - is not so much eroded over time as it is hammered from very early in proceedings into a more banal shape than it should be, such as the showdown between a 16 wheel truck and a spaceship piloted by a time-traveling archeologist - who's just escaped a compound of gun-toting survivalists under armed siege by the FBI - that involves a laser battle that ends with people jumping away from explosions and this sequence of events is somehow one of the most boring and unexciting things you will ever lay eyes upon. You can still see the cracks where brilliance tries and fails to shine through the brick wall of middle-of-the-road mediocrity that defined the show - Nemesis, Living Witness - but by and large the struggle to make this a classic-style Trek show about people in extraordinary circumstances rising to present the best in themselves rather than the worst is instead about a bunch of unexceptionally exceptional individuals - all equally flawless and without character - encountering minor inconveniences on their drive home.
And then Seven of Nine's big stupid boobs arrive and it somehow manages to go even more to shit.
(TBC)
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