It's aptly a space-y thing because Christmas for me is defined by memories of one of the Star Warses being repeated for the umpteenth time, which I mention as a seamless intro into reviewing the latest Star Wars movie, The Force Awakens, as it is a law that internet reviews of TFA start with an anecdote about the franchise's personal connection with the reviewer.
I did not think The Force Awakens was very good.
I couldn't get the feel that this was actually Star Wars, it just felt like someone doing a homage to the Star Wars I remember but not quite getting it right because they aren't really emulating the old stuff, they're just using the trappings like the ship designs, the laser noises, and the names of characters - fanfiction, basically, and if you've ever seen one of the half-decent Star Wars fanfics available, you'll know what I mean when I say it's nice to look at, but the tiny things here and there undermine the proposition that you're watching something official.
I fully appreciate that this is a minority opinion, all the same, as the vast majority of people seem to be over the moon about The Force Awakens, or at the very least they're over the moon that it isn't the prequels, as every review seems to be born of some variation of the same basic conceit that this one wasn't made by George Lucas so it is automatically good, and never mind the slapdash art design, the rehashing of the Death Star plot yet again, a McGuffin that makes literally no sense whatsoever, massive coincidences stringing together the various scenes rather than actual plot connective tissue, and a villain whose entire deal is that he will never be as good as Darth Vader from the original trilogy, which is awful to behold onscreen and yet at the same time a brass-balls level of self-awareness of a kind the rest of the script might have benefited from experiencing. Ironically, The Force Awakens' biggest problems are the exact same problems that plagued the prequels (such as the impression that it is a remarkably small galaxy in terms of characters crossing each others' paths), and yet this time audiences and reviewers are happy to hand-wave away such concerns, where before they were baying for the blood of George Lucas.
Mind you, the prequels grew on me over time, so perhaps The Force Awakens will do the same, as it seems to rely entirely on nostalgia as its one selling-point, and that takes time and distance to develop.
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